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Lobotomies at every turn Alena Boika | essay | 01.01.2011
LOBOTOMIES AT EVERY TURN
Winter is over; summer’s begun – Thanks, dear Communist Party, for the seasons again. This is a once-popular couplet that any citizen of the former USSR with at least some sense of humor had no trouble understanding. Despite its sad irony, this laconic rhyme could bring a smile to their faces. Summer was over, autumn had begun – and there I was again, face to face with these strange creatures…
Personal Responsibility in the Wor(l)d of Mouth Palo Fabuš | essay | 01.01.2010
PERSONAL RESPONSIBILITY IN THE WOR(L)D OF MOUTH
In the 2008 film Untraceable, a team of FBI agents is investigating a series of murders committed via the internet. The murderer ties his victims to killing mechanisms monitored by web cameras, with their suffering (and ultimate death) directly dependent on the number of visitors. Users watch the website fully aware of their role, but visitor levels nevertheless continue to increase. The viewer…
Let´s make   money -   the film about the crisis Clemens Foschi | essay | 01.02.2009
LET´S MAKE MONEY - THE FILM ABOUT THE CRISIS
Erwin Wagenhofer’s Let’s Make Money is a film about the financial crisis that takes a look at the conduct and consequences of worldwide financial transactions. The film came out in September, a successor to his previous documentary We Feed the World, which focused on the globalization of food production. After three years of research around the globe, Wagenhofer returns to reveal capitalism’s…
Palo Fabuš | essay | 01.01.2009
UN MUNDO ABSORTO POR LA TECNOLOGÍA: CRÍTICA DE LOS NUEVOS MEDIOS
Quizá no exista un concepto más problemático que el de la novedad. A pesar de su ambivalencia, aglutina a su alrededor una gran cantidad de palabras, frecuentemente no expresadas. Lo nuevo siempre significa sobre todo la posibilidad de lo nuevo, la posibilidad de aceptar lo nuevo. Trae consigo una esperanza, una oferta de adoptar algo diferente y desconocido hasta el momento, que con una…
Plenitud, pluralidad y libertad interior. Ivan Mečl | essay | 01.02.2008
PLENITUD, PLURALIDAD Y LIBERTAD INTERIOR.
Hoy, la situación social es más compleja y pérfida que bajo los regímenes de izquierdas o derechas más sofisticados del pasado. A fin de cuentas, siempre era posible averiguar y comprobar lo que tenían de bueno o de malo. En nuestros días uno puede permanecer toda su vida obcecado porque la situación mudable y elástica colma cada brecha abierta en nuestras necesidades y posibilidades. Al mismo…
La cultura asfixia, el arte libera Jiří Přibán | essay | 01.02.2008
LA CULTURA ASFIXIA, EL ARTE LIBERA
Defensa de la creatividad contra la ira del público Supongo que todos conocen el relato de Kafka Josefina la cantora y el pueblo de ratones. Josefina consigue encandilar a las masas con su arte, aunque al pueblo de ratones le falte musicalidad y se interese poco por la música o el canto, a todos les parece extraordinario el canto de Josefina, aunque en realidad se trate más de chillidos que de…
Plan B Edith Jeřábková a Lenka Vítková | essay | 01.03.2006
PLAN B
The need to outline the state of the Czech visual scene from the point of gallery operations emerged from our conversation with visitors of exhibition openings. The goal is to catch the ongoing phase of the emergence of something new, and the causes of the current situation. We are not interested in judging the activities of the galleries. We introduce them here via a questionnaire. Additional…
Karel Císař | essay | 01.08.1998
WHERE’S HOME OF MINE?
"His first ever published illustrated anecdote was printed in Youth Newspaper in 1905 when Josef Lada grew to only 17 years of age. Later on, perhaps at Christmas time of the same year, it was reprinted in The Greasy Cake, a collection of puzzles, tales and anecdotes. This ink drawing on paper dating back to 1904 was entitled It’s all ‚cos of the last name (Gamekeeper) and accompanied by the…
Karel Císař | essay | 01.04.1998
THE HETEROPTHIS OF JIŘÍ PŘÍHODA

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First independent catalogue by this young graduate of Prague’s Academy of Fine Art. The book summarizes his latest work as it...
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Limited edition of 10. Size 100 x 70 cm. Black print on durable white foil.
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IN SCHUDA’S WORLD , the spiritual in Susanne Schuda’s The Cell , , Susanne Schuda’s art features the self-assertion of...
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Dr. Long, 2001, acrylic painting on canvas, 30 x 24 cm, on frame
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