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Palo Fabuš

Palo Fabuš

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Palo Fabuš Artículos

An Environment of Unnecessary Culture Palo Fabuš | critique | 18.02.2013 13:51
AN ENVIRONMENT OF UNNECESSARY CULTURE
Culture must find its defense not under the conditions of the state ideology, but under its own conditions, which are foreign to the state today.
Artists in Line for Collective Security Palo Fabuš | critique | 14.11.2012 17:10
ARTISTS IN LINE FOR COLLECTIVE SECURITY
At a time when one of the extremely few identifiable and yet unintegratable positions is held by those who “refuse to conform,” artists want to conform. Instead of further exposing the open wound of reality and pulling the mesh of the matrix towards the Other, they have chosen the opposite course; having filled in their application for (and endorsement of) social obligations, they stand in line for a collective security provided by enlightened managers and sociologists.
Contemporary Art Is Not Palo Fabuš | contemporartism | 01.02.2011
CONTEMPORARY ART IS NOT
There are no simple questions. Not only do all questions already contain the seed of their answer, but neither are there any questions that do not have other questions hidden inside them. Recently, a group of theorists, artists, curators, and art historians asked a seemingly simple question: What is contemporary art? Their essays (in the etymological meaning of the word—“attempts”—as well) on…
Antonio Negri in The Porcelain Workshop Palo Fabuš | solutions | 01.02.2010
ANTONIO NEGRI IN THE PORCELAIN WORKSHOP
If we ask ourselves what (if any) unique message has been bequeathed to us by postmodern theory, the hardest work would be agreeing on what that message is. Its usefulness cannot be reduced to words like diffusion, ambiguity, mystification or mere skepticism; in all likelihood we would look for a solution in vain. The Italian neomarxist and political philosopher Antonio Negri, a leading…
Tomáš Džadoň:   Will to Tradition and  Images of Nostalgia Palo Fabuš | Entrevista | 01.01.2010
TOMÁŠ DŽADOŇ: WILL TO TRADITION AND IMAGES OF NOSTALGIA
Today, more than ever, we find ourselves surrounded by images from the past. Yet we have a paradoxical tendency to describe our relationship to the past with words like disinterest, shallowness and loss. These words suggest a tendency to head through our daily lives with no significant concern for either the past or the future. Our contemporary society often feels disjointed, lacking in a…
A reevaluation of reevaluations Palo Fabuš | Editorial | 01.01.2010
A REEVALUATION OF REEVALUATIONS
We have just had the end of a decade, with all the requisite media retrospectives and reevaluations. Although the tendency to review and analyze has been ascribed to the entire modern era, it would seem that there has been an upsurge in looking back into the past. It has been said that the 20th century came to a close with the events of September 11, but we still seem to be coming to terms with…
Personal Responsibility in the Wor(l)d of Mouth Palo Fabuš | essay | 01.01.2010
PERSONAL RESPONSIBILITY IN THE WOR(L)D OF MOUTH
In the 2008 film Untraceable, a team of FBI agents is investigating a series of murders committed via the internet. The murderer ties his victims to killing mechanisms monitored by web cameras, with their suffering (and ultimate death) directly dependent on the number of visitors. Users watch the website fully aware of their role, but visitor levels nevertheless continue to increase. The viewer…
B u l l s e y e   =   r e c o r d Palo Fabuš | 01.01.2010
B U L L S E Y E = R E C O R D
Is life a story with a climax in the form of retrospective and reconciliation, or can it be limited to a series of successes without a clear goal? Today, we approach our own biographies in the same way as we do literary stories; life becomes a record of life.  Since 2002, Amsterdam’s KesselsKramer publishing house has published a series of books entitled In Almost Every Picture, featuring…
Palo Fabuš | essay | 01.01.2009
UN MUNDO ABSORTO POR LA TECNOLOGÍA: CRÍTICA DE LOS NUEVOS MEDIOS
Quizá no exista un concepto más problemático que el de la novedad. A pesar de su ambivalencia, aglutina a su alrededor una gran cantidad de palabras, frecuentemente no expresadas. Lo nuevo siempre significa sobre todo la posibilidad de lo nuevo, la posibilidad de aceptar lo nuevo. Trae consigo una esperanza, una oferta de adoptar algo diferente y desconocido hasta el momento, que con una…
Pavel Sterec Palo Fabuš | Nuevas Caras | 01.04.2007
PAVEL STEREC
El lenguaje, las circunstancias comunicativas, pero también la inasibilidad de los fenómenos individuales en el plano personal son los temas a los que se dedica en su trabajo Pavel Sterec, estudiante de AVU(1) en el taller de creación conceptual de Miloš Šejn. Con su obra se extiende la línea que limita la motivación y la posición del autor, así como las condiciones generales de la producción…

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27.07.2014 19:39
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29.5 x 45.5 cm, Pen & Ink Drawing
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2002, 17.8 x 22.9 cm, Painting on Canvas
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Text: Michael Bracewell, Damo Suzuki, Peter Tatchell, Michael Clark, Holly Woodlawn, Greil Marcus, Camila Batmanghelidjh| ...
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