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MEHR ALS AUTONOMIE – WENIGER ALS UNABHÄNGIGKEIT PRIVATISIERUNGSWIRTSCHAFT  (AUS DER NACHBARPERSPEKTIVE) Marko Stamenkovic | theorie | 01.01.2007
MEHR ALS AUTONOMIE – WENIGER ALS UNABHÄNGIGKEIT PRIVATISIERUNGSWIRTSCHAFT (AUS DER NACHBARPERSPEKTIVE)
Jeder Versuch, eine mögliche Interpretation zeitgenössischer Kunstpraxis zu geben, setzt einen gewissen Hintergrund voraus, vor dem diese Praxis in Erscheinung tritt. Im heutigen Kontext der Globalisierung ist es genau der transnationale Aspekt der kulturellen Produktion, bestimmt durch solide theoretische und politische Rahmenbedingungen, der eine neue diskursive Matrix für die Artikulation von…
Dealing with the issue of the picture cycle and series of videofilms as a model of art work excerpt from a doctoral thesis Vít Soukup | theorie | 01.01.2003
DEALING WITH THE ISSUE OF THE PICTURE CYCLE AND SERIES OF VIDEOFILMS AS A MODEL OF ART WORK EXCERPT FROM A DOCTORAL THESIS
"Communication between the contemporary visual artist and the public is very limited. Of course, the medium itself requires a certain degree of contemplation, isolation and calm, but the minimal interest still bothers me, along with the realization that, compared to the filmmaking industry, the attention paid to the art world is negligible. I dare say that, despite its various and many…
Dorka Vít Soukup | theorie | 01.01.2003
DORKA
Dorka Dorka magazine was at one time in very good taste. It wanted to oppose kitsch. It was a guide for women, on how to make a cozy, tasteful home, how to dress fashionably, how to express a tasteful self and family. There were passages on how to make arts and crafts, knit, crochet, sew and do anything with whatever cotton or other leftover material there was to be found. Any sort of controversy…
Film Tetralogy — theory Vít Soukup | theorie | 01.01.2003
FILM TETRALOGY — THEORY
"Film Tetralogy — theory The making of a videofilm is a continual part of my work. It came about through the need to enrich the artistic aspects of storytelling, linearity and dramatic categories which I love and which I simply do not want to mix into painting or pictures. As I mentioned earlier, I am no friend of inter-field hybrid mutations. I like a fair game played by the rules in clearly…
Notes Vít Soukup | theorie | 01.01.2003
NOTES
"Notes:1. Černý, David: Promrdané roky — pravdivý příběh, katalog, Praha, Divus,20002. Revue Labyrint, roč. 2002. č.11-12,ISSN 1210-6887.3. Lyotard, Francois: O postmodernismu, Praha: Filosofia, 1993.ISBN 80-7007-047-1.4. Belting, Hans: Konec dějin umění, Praha: Mladá fronta, 2000. ISBN 80-204-0856-8.5. Soukup, Vít: Koncepce pro náplň dokto-rantského studia na VŠUP v Praze, Praha, VŠUP, 1999.6.…
theorie | 01.04.1999
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