Umělec 1/2012 List of all editions.
"In Cameroon, rumours abound of zombie-labourers toiling on invisible plantations in an obscure night-time economy."

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Author dreaming of a future without censorship we have never got rid of. It seems, that people don‘t care while it grows stronger again.

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In the evening, after an entire day spent scanning official documents and with his fingers trembling from all that dematerialization, a person might, as he his falling asleep, slap his forehead in the realization that he would feel better if, in the morning, he stopped doing his job and refused to wipe the dust of the scanner’s glass surface. Only the dusty bits of cellulose on his nasal membranes now remind him satisfactorily that, even though he is easily lost, he can just as easily still find himself.

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American history is filled with stories about how to hide chauvinism and expansion behind lofty ideals of inevitable fate, of a manifest destiny to settle paradise; how to endlessly, shamelessly, and by force expand the boundaries of one’s garden. Joyce Hatto, too, had a nearly unbounded approach to reality, making nearly 120 recordings of piano concerts in her life. One of England’s greatest female pianists – or maybe not?

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Somewhere between the demonization and romantization of Romany culture, Delaine Le Bas seeks out a fragile reality that hides more than one cliché, stereotype and simplification. The diverse innocuousness of her vibrantly colorful installation is complemented by a reading of equally colorful news stories.

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