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Hoffen wir, dass uns die Chinesen verzeihen! Jiří Ptáček | interview | 01.03.2006
HOFFEN WIR, DASS UNS DIE CHINESEN VERZEIHEN!
Zu einem Interview über ihren Dokumentarfilm Ztracená dovolená ("Der verlorene Urlaub“) traf ich mich mit der jungen Regisseurin Lucia Králová. Ehe wir das Diktiergerät einschalteten, entschuldigte sie sich dafür, dass sie über einige Details nicht sprechen würde, denn sie wollte, dass der Film die Zuschauer überrascht. Die Eckpunkte waren jedoch klar: Wir würden über den Fund von zweiundzwanzig…
Life in Counterculture Lenka Dolanová | interview | 01.02.2006
LIFE IN COUNTERCULTURE
Interview with Gene Youngblood Gene Youngblood (1942) is an electronic media art critic and the author of Expanded Cinema (1970), one of the first publications dealing with video and computer-generated film. He has been elaborating its ideas—ranging from expanded conceptions of film and the arts to science, technology and cultural revolution—since 1967 in his weekly column, “Intermedia,” for…
Manager´s Civilization Eduard Piňos | interview | 01.02.2006
MANAGER´S CIVILIZATION
Eduard Piňos interviews Eastwood The Eastwood Group follows the research of relations between contemporary communication and information technologies and cultural practice. This project, consisting of two Yugoslavian software experiments, is trying to reach an understanding of principles and changes in our information society. Eastwood then tries to widen their findings about the evolution of…
It is Necessary to Enter the Sacred and Forbidden Vít Šisler | interview | 01.02.2006
IT IS NECESSARY TO ENTER THE SACRED AND FORBIDDEN
A Dinner with Olaf Oliver Kielmayer | interview | 01.01.2006
A DINNER WITH OLAF
Oliver Kielmayer speaks with Olaf Breuning Why didn’t you attend the opening of the Biennale in Prague? I had a production in New York that occupied all my time. For three months I was involved in a new exhibition in the gallery Chisenhale. It was my first important exhibition in London on such a large scale. What did you show in Chisenhale? Most people expected multi-media work with sound…
Ideology of modernism Jiří Skála | interview | 01.01.2006
IDEOLOGY OF MODERNISM
Interview with Jiří Skála and Aleksander Komarov. Jiří Skála is a Czech artist. Aleksander Komarov comes from Belarus, is an artist as well and lives in Rotterdam. They met in Vienna and later in Prague, when Komarov took part in the biennale at the Prague National Gallery. Reaching for a voice with cosmopolitan erudition, Skála inquired about actuality, modernism, ideology of architecture, free…
Nothing: An Interview with Kateřina Šedá Markéta Uhlířová | interview | 01.01.2006
NOTHING: AN INTERVIEW WITH KATEŘINA ŠEDÁ
Since becoming a student at the Academy of Fine Arts in Prague, the Czech Republic in 1999, Kateřina Šedá has staged public interventions into everyday life that she identifies as ”normality.” These experiments have taken place in small villages near Brno, her home environment, as well as in the urban setting of her second home Prague. Her past projects include The First Rally of Sunday Painters …
Konstruierter Verfall Henrikke Nielsen | interview | 01.03.2005
KONSTRUIERTER VERFALL
Die Arbeit des dänischen Künstlers Simon Dybbroe Møller folgt einem konzeptuellen Ansatz, um den herum sich ein dichtes Netz von kunsthistorischen, literarischen und architektonischen Assoziationen spinnt. Kategorien wie Zufall, Unfall und Zerfall werden mit Hilfe einer großen Bandbreite an Materialien und Manipulationen unterminiert, und eine Faszination an der konstruierten Realität wird…
"What is to be done?"-"Do it yourself!" Olga Vašinkevič | interview | 01.02.2005
"WHAT IS TO BE DONE?"-"DO IT YOURSELF!"
Dmitry Vilensky machte Anfang der neunziger Jahre in Sankt-Petersburg durch seine künstlerische Tätigkeit und als Veranstalter von Fotoausstellungen, die die Entwicklung der Petersburger Fotografie hin zu einer selbständigen Kunstrichtung unterstützten, auf sich aufmerksam. 1995 gründete er zusammen mit anderen Petersburger Fotografen den Verband FOTOpostscriptum, der zahlreiche Ausstellungen…
May I Have This Dance? Martina Pachmanová | interview | 01.01.2005
MAY I HAVE THIS DANCE?
With Milena Dopitová about art and the cycle of life About my sister What set you on the path to becoming an artist? I was in the eighth grade at home with the flu and had nothing else to do. The first impulse struck when I came across some picture postcards depicting landscapes, and I painted them, and it made the time go by faster. Since that time I realized more and more that art is what I…
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